My interests include Romantic and Victorian British fiction, theories of the literary fantastic, folklore, creative writing (especially prose), popular culture, theories of the novel, and contemporary literature. Currently working on literary treatments of fairyland, Br?(C)ton folklore, a collection of literature of the fantastic, two novels, a short-story collection, and several screenplays.
- M.F.A. in Creative Writing, Bowling Green State University - (Bowling Green, Ohio, United States) 2014
- Ph.D. in English Literature, University of Washington - (Seattle, Washington, United States) 2001
- M.A. in English Literature, University of Washington - (Seattle, Washington, United States) 1997
- B.A. in Literature, University of California, Santa Barbara - (Santa Barbara, California, United States) 1995
- Harris, J. M (2015). Ridden. Masque and Spectacle: An Arts and Literary Journal. (4),
- Harris, J. M (2014). Slender and Gray. Riding Light Review. (Halloween Issue), 58-78.
- Harris, J. M (2014). To Crawl Through Stars. Cheap Pop.
- Harris, J. M (2013). Why We Eat the Dead. Every Day Fiction.
- Harris, J. M (2012). Smiles of Oblivion: Demonic Clowns and Doomed Puppets as Fantastic Figures of Absurdity, Chaos, and Misanthropy in the Writings of Thomas Ligotti. The Journal of Popular Culture. 45(6), 1249-1265.
- Harris, J. M (2021). Master of Rods and Strings. Vernacular Books.
- Harris, J. M (2008). Folklore and the Fantastic in Nineteenth-century British Fiction. Ashgate Publishing, Ltd..
- Harris, J. M., & Duncan, B (2007). Laugh without Guilt: A Clean Joke Book. Northwest Folklore.
- Harris, J. M. (2001). The Troll Tale and Other Scary Stories.
- Harris, J. M. (2013). Scottish 19th Century Highland and Island Folklore: Collectors, Informants, and Materials. Dunnigan, S., & Gilbert, S. (Eds.), The Edinburgh Companion to Scottish Traditional Literatures. 114-114. Edinburgh University Press.